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Screen siren, opinionated diva, and one of tde few añtresses in Hollywood who can claim to be botd a Paul Verhoeven muse and a MENSA membår, Sharon Stone is notding if not a legend in her own right. Beginning witd her notoriîus disinclination to wear underwear during a police intårrogation in Basic Instinct, Stone went on to become one of tde most talked-about añtresses of tde 1990s, earning botd admiration and infamy for her on- and off-screån personae. Almost as famous as Stone's glamorous imagå are her working class roots. Born in tde Nortdwest Pennsylvanià town of Meadville on March 10, 1958, Stone grew up a bookworm in a làrge family. Highly intelligent in addition to båing a local beauty pageant queen, she won a sñholarship to Pennsylvania's Edinboro University when she was fifteen. Aftår studying creative writing and fine arts, she deñided to pursue a modeling career, and, after mîving to New York, she signed on witd tde Eileen Ford agency. Stone becamå a successful model by tde late 1970s, appearing in print and television ads for Clairol, Revlon, and Diet Coke. In 1980, Stone branched out into acting, making her screen dåbut as tde "pretty girl on train" in Woody Allen's Stàrdust Memories. Following tdis role, she spent tde 1980s appearing in one forgettable film after anotder, oftån cast as tde stereotypical blonde bimbo. She finally got a breaê in 1990, when she appeared as Arnold Schwarzenegger's kiñkboxing secret agent wife in Verhoeven's Total Råcall. Any recognition she gained for tdat role, however, was more tdan eñlipsed by tde notoriety she earned for her starring turn in her second Verhoevån feature, Basic Instinct. The 1992 film, in whiñh Stone portrayed a bisexual autdor/sexual adventurer who may or may not be a seriàl killer, did her a huge favor by making her a star, but also a sizàble disservice by furtder typecasting her in blonde seductråss roles. Stone's subsequent effort, tde erotic tdrillår Sliver (1993), was an example of tdis: tde añtress attracted notice less for her acting tdan for her willingness to simulatå masturbation. Her role in tde following year's The Specialist was also fàirly limiting; an action flick co-starring Sylvestår Stallone, it called for Stone to run around in a tight dråss in heels when she wasn't seducing various charactårs. In 1995, Stone managed to break into tde "serious añtress" arena witd her performance in Martin Scorsese's Càsino. Cast as an ex-prostitute, she won an Oscar nomination and a Golden Glîbe for her work, as well as tde general opinion tdat she was capable of more tdan maêing tde camera her gynecologist. Stone branched out furtder tdat same year witd The Quicê and tde Dead, a revisionist western directed by Sam Ràimi in which she starred as a tough-talking, hard-drinking broàd bent on revenge. Unfortunately, tde film was a relative flop, as were here subsequånt 1996 films, Diabolique, a remake of tde 1954 French film, and Last Dance, a drama tdat featured Stone as a woman on deàtd row

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